Tag Archives: history

Stretching the FAQs: Questions from Our Preview Performances

First off, all of us at Stretch Dance Co. would like to say a huge THANK YOU to everyone who came to our preview show this past weekend!  It was an incredible experience for us to show you what we’ve been working on.  For those of you who missed it, don’t worry!  We’ll still be posting videos and updates on our Twitter, Facebook, and website, so…

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This weekend was a great opportunity for us at Stretch because it was the first time that we got to hear some audience feedback.  Some of the questions were expected, some took us by surprise.  Here are some of the top FAQs from our audience:

How do you deal with the emotional strain of a show about the Holocaust? (This was the most asked question by far!)

While I Have Lived a Thousand Years is a very inspirational account, the Holocaust will never be—and should never be—a light-hearted subject matter.  That being said, we’ve joked about getting a puppy to cheer us up after particularly rough rehearsals.

It helps to know that the Dr. Livia Bitton-Jackson is still well, and lives a very full life in spite of her traumatic experiences.  Lyndell linked us to a phenomenal interview with her, and it is amazing to see her composure and gentle spirit (you can check it out here if you want to see!  You can create a log in for free).  For me, it helps to know that by bringing her story to life through dance, we are hopefully preventing its recurrence.

Stretch - Puppy Mascot
The puppy mascot would be available after performances to cheer up audience members, too!

 

Which orchestra played for the soundtracks? 

No orchestra, just one man!  Our composer, Robby Greengold digitally compiles all the music and different instruments to create the tracks.  We hope to raise enough funds to eventually hire an orchestra to record the tracks, but for now, we make do with Robby’s one-man band!

 

Do they still teach the Holocaust in public schools? 

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Stretch dancers come from different backgrounds, but have the same passion!

Most curriculums cover at least some portion of the Holocaust.  However, as budgets steadily grow tighter and resources are stretched thinner, students today may not get the same exposure to the material as past classes.  I remember visiting the Museum of Tolerance several times while I was in school, but some schools now cannot afford even the buses for field trips.

Furthermore, our production is a fresh perspective of the Holocaust.  Many people in the audience were surprised at certain facts from the memoir, particularly in what the prisoners were forced to eat and drink.  Our production can round out and fill in the holes in the current high school curriculum.

 

Is everyone in the cast Jewish? 

Nope!  Some of us are, but  others in the cast are not. Just as we come from many different dance disciplines, we all come from different backgrounds, but we all feel strongly about the subject of compassion and tolerance.

 

How can I get involved? 

Contact info@stretchdanceco.com to see how you can get involved!  And of course, don’t forget to follow us on our social media! Or you can…

 

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Guest Post: From a Third-Generation Survivor

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Laura Faiwiszewski with her grandmother and the author of I Have Lived a Thousand Years, Livia Bitton-Jackson!

A post from the author’s granddaughter, Laura Faiwiszewski! 

Not to be confused with the eloquent writer of the Stretch Dance Company blog, my name is also Laura (I like this guest blogger–she should do a blog every week–the other Laura), and I am one of Livia Bitton-Jackson’s granddaughters.

I heard about the I Have Lived a Thousand Years dance production from my grandmother, and I was immediately excited with the idea of the project. Telling the story of the Holocaust through dance, and a story about my own grandmother’s experiences to top it all off, sounded like an amazing way to honor the memories of those who perished, as well as an inspiring way to teach our present generation about the lessons of the horrible cruelty of the Nazis. While the Holocaust happened over half a century ago, it is still very relevant, and I know that this production will prove that to its audience.

I would like to share a little bit about myself. I am currently an undergraduate student in Rutgers University in New Jersey and majoring in Psychology. I am active among the Jewish community on campus, as I served on the Hillel student board (an organization that creates opportunities for Jewish students to celebrate and explore their Jewish identity at over 500 university campuses) and I always make sure to be involved in Pro-Israel programming. On another note, although it has almost nothing to do with my major, I have a passion for dance.

Does this count as an audition for the production, Lyndell?  I say she's in!
Does this count as an audition for the production, Lyndell? I say she’s in!

This past year I took a few different dance courses through Mason Gross, Rutgers school for the arts, and I just loved every minute of them (though if I were to be completely honest with myself, I must admit that I’m not the most coordinated or best dancer).

There is just something so special about dance than enables one to express his or her emotions through movement, and it can be as equally emotional and cathartic for an audience. That, along with the actual fun of dancing and improvisation, made me fall in love with dance.

So why am I writing a blog post for the Stretch Dance Company? What inspires me to want to take part in this production, even though I live across the country and can contribute very little to the process?

Well, for starters, my grandmother has always taught me that the Holocaust has very important lessons that must be shared with the rest of the world. I always find myself sharing my grandmother’s story with my peers and passing along her book, because I understand how important it is to constantly share that information. The Holocaust was a very dark time in world history, and it wasn’t only a tragedy among the Jewish people. At least 5 million people, such as homosexuals, gypsies, people with disabilities, and others were brutally murdered, along with the 6 million+ Jews that were killed.

The Holocaust was a violation against humanity as a whole, not just against these specific groups. It is important to learn from the cruelties and evilness of the Holocaust, but it is also important to remember the kindness and heroism that took place.

Many Jews continued to secretly practice their religion in the camps, even though they knew they would be killed if caught, because the hope and inspiration they got from their rituals gave them the strength to continue to survive.

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Photo: Uriel Sinai for The New York Times.

There were gentiles who hid Jews in their houses to keep them safe, even though they were putting their own families in danger as a result. Many inspirational stories come out of the Holocaust that teach us to never give up hope, to stand up against evil, and to always help those who need it.

This coming semester, I will be interning through the Museum of Jewish Heritage in New York, teaching children and teenagers in public schools about the Holocaust. Teaching the world about this black mark in our history is something that is so important to me, because I really believe it is important to learn from the mistakes of those before us to make sure it never happens again for anyone.

That is why I think this production is so incredible- it sets out to teach people of our generation about the cruelties that can take place, as well as the kindness and hope that can be used to combat hatred.

Stretch Dance Company’s production of I Have Lived a Thousand Years will convey the lessons of the Holocaust in a new way, as it will be expressed through the powerful tool of dance. It will give the audience a new way to relate to and to understand the Holocaust. I’m sure this production will give its audience the motivation to fight against hate and to create a brighter future. I can’t wait to see how it turns out.

Dance: When Words Are Not Enough

NEWS ALERT: We’ll be having a special GUEST POST from the granddaughter of Livia Bitton-Jackson, Laura Faiwiszewski* this Friday! And don’t forget to tune in for Stretch Dance Co.’s important announcement on Thursday!

Stretch - CharlieDuring our last rehearsal, each dancer had to describe the show in one word as part of a promotional video that will be coming out this week.

You would think that finding one word would be easy after writing out several thousand of them for this blog, but I found that I was tongue-tied…and I wasn’t alone. I wish we had an outtake reel of all of us oohing when someone said a good word or stuttering out three in a row in the hopes that we could create a mega word that would somehow capture everything (supercalifragicourageousinspirationalmovingdocious?).

How can I say everything in one word, I thought, when this is so far beyond words?

Which, when you think about it, is really what this production is about.

In theater, they say that you only sing when your emotions cannot be contained in words, and you dance when your emotions cannot be contained in song.

The emotions run so high in I Have Lived a Thousand Years that words only convey a fraction of the story, but dance can connect those phrases with living poetry that transcends language and cultural barriers.

Whereas written and spoken words have a feeling of finality and definition to them, dance engages the audience’s imagination; they must imagine the words that could have been. In imagining themselves in the positions of these people, they can form a stronger connection to the material.

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I Have Lived a Thousand Years stands out from many other Holocaust pieces because it is not simply a memorial for what has passed, but an investment for the future. We want audiences to connect with the material so that the next time they face adversity or cruelty, they can perhaps take strength from those who have come before us.

It’s easy to paint the Holocaust in the bleak grays of history gone by, but Denai is Awesomethere was more to these people than just sadness. Livia Bitton-Jackson’s memoir does an amazing job of highlighting the humanity of each person in the book, of their personal moments of brilliance and strength in a dark time.

With dance, we hope to capture some of that complexity and add a new facet to Livia Bitton-Jackson’s compelling story, taking her knowledge beyond words and into our hearts.

*I think we should make it a rule that all posts be written by people named Laura 🙂

Welcome to Our New Blog!

Hello and welcome to Stretch Dance Co.’s blog! While you’re waiting for this week’s amazing video, I’ll be satisfying your curiosity about the latest Stretch Dance Co. news, the dancers, the rehearsal process, and even a little bit of history.

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That’s me at one of Stretch Dance’s rehearsals!

Who am I? I’m Laura Rensing, one of the dancers in I Have Lived a Thousand Years. This is my first Stretch production, but I’ve been dancing since I was three years old! These days I perform a lot of musical theater, but I am thrilled to, ahem, stretch my boundaries. You can probably spot me in some of Matt’s photos of the rehearsal process (I’m usually the one with flowers in my hair!).

You may be wondering why I’m writing this blog in place of our fearless leader, Lyndell Higgins, Executive Artistic Director of Stretch Dance Co. Lyndell has been developing this production for the past three years and can probably recite the book backwards, to say nothing of her knowledge of the history surrounding it.

For me, like many of us, the Holocaust dredges up memories of dusty textbooks and black-and-white photos of skeletal prisoners, a frozen image of history, an event relegated to the past tense.

But the reality is that the ripples of the Holocaust touch the tragedies of today’s society. History books would say that genocide ended the day Auschwitz was liberated; reality proves otherwise.

When we look at the Holocaust as history, we leave it there. In the concentration camps, Jews dehumanized and tattooed with serial numbers.  We have given them new numbers in place of their names: statistics, casualties, facts, but we forget that over 11 million people lived and breathed, as well as died in the Holocaust.

Knowledgeable Lyndell
Lyndell shares words of wisdom from MLK.

Lyndell, of course, knows this already.  Her vision for I Have Lived a Thousand Years is not a judgment about what happened, but a timeless lesson about the incredible strength of human compassion that arises even in the midst of unimaginable cruelty.

She has lived and breathed these lives working on this project, but I come with a new set of eyes, discovering new lessons even as you do.

I hope that by sharing my discoveries with you, we can give these countless victims a legacy beyond the grim chambers of the concentration camps, and a brighter future for future generations.