12 Dance-Inspired Costumes for Halloween

Stumped for a Halloween costume?  Ditch the witch hat and try these dance inspired costumes on for size!

1.  CENTER STAGE

Center Stage / Center Stage
From http://soicankissyouanytimeiwant.com/

Come on.  You KNEW this was coming from the moment you read the blog title.

2.  BLACK SWAN

black-swan-makeup-ideas
From http://blackswanmakeup.wordpress.com/

Just stick with the eye makeup for a fun touch for Halloween, or go for full prima devil.

3.  JABBAWOCKEEZ

Jabbawockeez1
From http://www.vegaschatter.com/

Need a group costume?  Grab a mask, a baseball cap, and group pose your way into neverending Halloween candy.

4.  STRICTLY BALLROOM

Strictly-Ballroom-baz-luhrmann-749264_1600_900
From http://www.fanpop.com/

Ballroom: where the hair is ALMOST as big as the shoulder feathers.

….or you could look less like an ostrich and more like a BAMF.

strictly-ballroom-movie
From http://lancerivera1.wordpress.com/2011/11/15/strictly-ballroom/

 

5. THE FLAPPER

Flapper dresses
From http://www.shotinthedarkmysteries.com/flapper-costume-ideas/

Flapper dresses have the advantage of looking cute on anyone.  The hats…not so much.

6.  THE NUTCRACKER

Stretch - Nutcracker
From Costumestore.com

You know how the ladies can’t resist a man in uniform.  But if the Nutcracker is too risque for you, you can always try…

7.  MAGIC MIKE

Magic Mike
From thewrap.com

Officially the cheapest Halloween costume ever.

8.  DIRTY DANCING

dirtydancing
From http://madisonmovie.wordpress.com/

It is obligatory that “Love is Strange” plays the ENTIRE time you wear this costume.

9.  BRING IT ON

BringItOnBigPic
From hellogiggles.com

Now that “Bring It On” is a Broadway musical, you can bust out your old high school uniform without shame.

10.  SINGIN’ IN THE RAIN

Cyd_charisse_singing_in_the_rain
From wikipedia.org

Sure you can skip around in a big yellow raincoat and umbrella…or you could be the Girl in the Green Dress and set the barre as high as your extension.

11.  FLASH DANCE

Flashdance_Sweatshirt with tuxedo
From:http://nickverrreos.blogspot.com/

I’m pretty sure Jennifer Beals is the only person who can pull off a baggy sweatshirt with high heels and a tuxedo in the same movie.

12. WHAT DOES THE FOX SAY?

Stretch - what-does-the-fox-say
From onepopz.com

Who cares what the fox says, your friends will say Ring-ding-ding-ding-ding if you break out in this getup. 

 Tune in again on Thursday for more Halloween fun when Stretch Dance Co. puts a spell on you with their latest video on our YouTube channel!

Teaching A Thousand Years in 90 Minutes or Less

Last week, this video popped up in my Facebook newsfeed, showing college kids being asked questions about the Holocaust…and being unable to answer them.

Now I don’t expect people to be experts on the subject matter—I’m certainly not one myself—but some of these kids couldn’t even answer name which country Adolf Hitler led during WWII.  Another student thought that WWII was waged 300 years ago!

Stretch - Calista FaceThis is a critical gap in our education system.  In past blogs I’ve explored how ignorance and indifference fueled the Holocaust grow from one extremist party to a world war, and the danger lurks not just in the past, but in the present.  When we hide ignorance and hate, or ignore its potency, we give it room to grow untended.  We cannot prevent the Holocaust in 2013, but we can use the knowledge gained from the experience to combat genocide today.

The video makes an excellent point that these students are not to blame for their ignorance, but their lack of education.  As a teacher’s daughter, I know just how that time is almost as tight as money in public schools.  But I also know that the responsibility of education does not fall solely on the shoulders of the teachers themselves, but on each and every member of the community.

This particularly applies to the arts. I’m sure we’ve all heard about arts funding being the first to go in budget cuts, and I’ve heard many debate about the usefulness about the arts and humanities at all.  Shouldn’t we have more doctors, more engineers, more teachers!

The answer is yes, of course!  But we also have a vital need for those who can see the whole story, and tell it to the engineers, Stretch - teachingthe doctors, the teachers, the lawyers.  Armed with that information, they can do their work that much better.  But how can a doctor treat a wound they don’t know about?

This is why I Have Lived a Thousand Years and other educational projects from outside of schools are so vital.  We can provide vital support to our struggling schools and give direction to the students of tomorrow, whether they want to be dancer or a doctor.

It doesn’t take much to made a difference. A 90 minute show can be the introduction of a new generation to a brighter future.

Dance to Start a Movement

How do we talk about that which is taboo?

It’s not that we don’t know that there are problems in our world, in our government, even in our home spheres.  How is that we find it easy to share images of soldiers coming home to families, but not PSTD; of cute videos of puppies, but not animal cruelty; of our endless lists of first world problems, but not the lack of basic resources in third world counties?

Stretch - Reaching
Lyndell’s “Sitting Sadly By Your Side” tackles the tough subject of those who suffer from Depression, as well as its impact on those close to them.

To be fair, there’s not a really a good way to bring up these heavy issues in everyday conversation.  You can’t just drop a “Hey, did you hear about the Somalian civil war this morning?”  at the water cooler and expect to get much of an honest dialogue going.

In an increasingly politically correct world where even newspapers don’t take sides in issues as huge as the Federal Shutdown, how can we find the words to start these conversations?

Maybe, we don’t need words, but a movement.

William Forsythe
William Forsythe is a famous choreographer known for taking on controversial issues.

I will never be one to dispute the power of the pen, but it can be hard to know how to begin to approach such dangerous topics as war, racism, mental illness.  Every conversation needs a springboard; why not dance?

Dance is such an incredibly versatile form; records of its existence date as far back as the records themselves. Almost everyone can dance, whether they’re a full-fledged ballerina, a prancing football player or just your average Joe who bounces to the beat in private.

But for all its adaptability, for all its powerful use of expression, dance is a launching point for a conversation.  These ideas, be they about war or peace, will be left on the stage without those who are willing to discuss the issues brought up in their pieces.

Dance teaches people about team work and respect, to think creatively and express themselves. It can break down gender inequality and teach people to support each other.” says Restless Theater Dance Company CEO Kumori Middleton.

I can’t think of a better place to start a conversation then from there.

 

What You Missed While Watching A Thousand Years…

I bet that after watching our preview video, you may think that you’ve gotten all the juicy parts from Stretch Dance’s Stretch - Watchingproduction…but you’d be wrong.

Heck, I didn’t know what I was missing, and I’m in the show!

We had a chance to view the video of the whole show back when we filmed Applause.  To be honest, I thought I’d be bored rewatching the dances that we’d rehearsed over and over again.

Boy was I wrong.

It was an out-of-body experience for me.  It was surreal to watch the steps that I’d repeated so many times, and yet be surprised by moments in the show that you miss as a performer.  There are so many snapshots that stick in my mind—particularly of the scene about “Is It True About the Smoke.”

While performing, that number is a whirlwind of emotions and activity.  Not only am I rushing from costume to costume in the space of a few counts, but from one extreme emotion to another.  Not to mention I have to make it across the stage in four counts without running over any of my fellow dancers while still attempting to look graceful (that’s what we really go to ballet for all those years for).

But watching the piece…it was breathtaking in a totally unexpected way for me. To see the scared victims transform into the breezy, white dancers was quietly, profoundly beautiful to me.  It wasn’t my favorite number to perform onstage, but it was my favorite to watch.

And yet, as amazing as it was for me to watch the show, I couldn’t help missing something of my favorite elements while performing it: sound.

My sister—my inspiration for becoming a dancer—always jokes that dancers are meant to be seen and not heard, but it’s amazing how sound in dance can truly link up the dancer and the music.

Stretch - Breath
Some exhalations were choreographed into this number. It fit with the emotion and helped keep us together!

There are a few moments when we were choreographed to breath together, o.r for Jill to hum softly in parts of the show, but even just the natural sound of the movement contributed to the pieces.

I remember standing in the wings while Jill performed “Teen Vanity”—the chapter where Elli sees herself in the mirror for the first time after being shaved and starved.  I couldn’t see her at all, but I could hear her strangled breathing, the hard thud as she executed a huge leap, the soft swish as she turned.

These sounds made the taped soundtrack a living collaboration between the musician and the dancer.

So next time you have a chance to see live theater—Stretch Dance Co.’s new performance or otherwise—go out and see it.  Don’t settle for a recording, or a photo, or even a blog entry.

You’ll never know what you may miss.

Stretch - Denai White Words

The Next Era of Dance

Same Love   Stretch Dance Company   YouTube
Theatrical dance relies on the emotions underneath the piece to inform the dancing, not the other way around.

WHAT IS THEATRICAL DANCE?

Put this question to a professional dancer and even they might be stumped.  It’s not really musical theater dance.  It’s not concert dance.  It’s not the dance you do while waiting in the ridiculously long line for the bathroom at a theater.

We may not know it yet, but theatrical dance may be the next evolution of movement, thanks to new generation of versatile dancers.  Whereas it was once good enough to be the master of one form, the modern dancer must be as fluent in ballet as they are in break dancing to remain competitive in an increasingly diverse environment.

Television and YouTube have helped bridge the gaps between the different types of dance, and myriad studios offering any and every kind of dance have given birth to a new type of dancer who has learned Bollywood and ballet in the same studio.

Such a diverse and talented new generation of dancers have set the stage—literally—for shows like So You Think You Can Dance, America’s Next Best Dance Crew, and even Dancing with the Stars, ushering in a whole new era of dance that blends the established techniques of different forms to tell create story-specific movement.

Think back to your favorite piece from So You Think You Can Dance.  Do you remember the amazing dancing, or the amazing story told through the dance?  I’ll bet you’ll remember the story better than you remember how many pirouettes, or how high their jumps were.

Stretch - Bench
Many routines on SYTYCD uses short, yet intense stories to capture the audience

These shows have capitalized on their dancers utilizing a wide range of techniques, but have blended it with strong–yet succinct–story telling.  It’s the perfect format for today’s fast-paced world: a snippet of easily digestible story with a strong narrative.

Add to that a modern flair that mixes hip hop dancers with ballerinas or tappers with a contemporary vibe or a pas de deux with aerial—something that the dance critics would have found horrifying fifty years ago–and you have the recipe for a form of dance that is as powerful as it is adaptable.

Each of these shows relies on each dancer’s individual talents and their ability to seamlessly adapt to new styles and partners while still maintaining a through line.  Shows like SYTYCD gleefully reimagine how dance is pieced together every single week.

This adaptability makes theatrical dance the perfect form for Stretch Dance Co.  Theatrical dance takes advantage of the many talents of our dancers, focuses on the individual strengths of each one, and is flexible enough to transition from a dramatic look at the Holocaust to playfulness of Lady Gaga.

Theatrical dance takes the richness of all the traditions of dance, and yet eagerly steps outside the box to suit its purposes, which is exactly what Stretch Dance Co works for in every dance, every song, every story.  This new trend in dance is already popping up onstage, on screen, and on the streets, but few have realized that these dances reach beyond traditional forms and into a brave new frontier.

Stretch - Fierce